Wednesday, December 9, 2020

"Stained" Kirillos Samuel Final Project

Kirillos Samuel

Self I As Image FA 2020

Final Project (Oral and Written Presentation)

                                                                            “STAINED”


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Description automatically generatedFirst Stage

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Description automatically generatedSecond Stage, Filling in the skull

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Kiro “STAINED” (2020)


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Kiro “STAINED” (2020)   Eyes from Mickalene Thomas



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From the smear from Basquiat


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Description automatically generatedKiro “STAINED” (2020)

Kiro “STAINED” (2020)



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Description automatically generatedJean-Michel BasquiatJean-Michel Basquiat

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Mickalene Thomas (2014)


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Description automatically generatedMickalene Thomas (2014)Mickalene Thomas (2014)

    For my final project, I wanted to do something new and innovative; something out of my comfort zone. I decided to use spray paint on a canvas and use the work of two artists and combine their techniques and see if it was possible to create something with meaning behind it. The subjects of my piece were spray paint, disfigurement, life, and death. I wanted to include one male and one female artist in this project and use them as inspiration and see if I can incorporate both their techniques together to create something pretty to look at. The artists that I chose to follow their techniques and styles were Jean-Michel Basquiat and Mickalene Thomas. To begin the project, I looked at the type of way that the artist did most of their pieces. Basquiat started out his career by spray painting in New York under the name SAMO. Basquiat was my favorite artist that we talked about in the semester, I used the same technique which was spray painting a part of the human anatomy on a canvas. While Basquiat’s painting “UNKNOWN'' featured a full detailed skull, my painting featured some more disfigured features to honor the collages that were widely known to be used in Mickalene Thomas’s work. I started off by laying down sticky notes to give me the shape of the skull then filled it in with black spray paint. Then, I added some slashes through the eyes and mouth which is something that was seen in many of Mickalene Thomas’s collages. To make the project have my touch on it I added some of my favorite designs which include a galaxy-like background. I added stars in the form of paint splatter, and this is the “life” aspect of the project. The eroded and slashed skull represented the “death” aspect. The painting has a screaming yet silenced mood to it and I believe that this represents me as a person and as a new artist. I believe that many of us go through tribulations and trials yet sometimes hide it from the public to make people believe that we are fine when in reality things might be amiss. Through this painting, I believe I let out a lot of emotions and anger and let it dictate my canvas. I believe the background is soothing while the main subject is obscured and deformed. This self-portrait is not an artwork that incorporates me physically like my previous projects, but it is something that includes me emotionally. The project can be portrayed by the viewer using any emotion that they may relate to. Whether that be the life or death aspects that are included in the art piece. This is important since I believe that the media plays a large part in how society functions emotionally. How people view themselves is influenced by the media’s representation of what is socially accepted and what is the norm. However, I believe my project does the opposite. It allows the viewer to reference any emotion that they wish and reflect and give it meaning based on their story. In Debord’s piece Society of the Spectacle, I found meaning in the verse that reads, In a world that is really upside down, the true is a moment of the false.” That ties into my project as I believe we are all in a world that is upside down in this current time and the true or the positive aspect that we create comes out of the false or the state of being upside down that we are all in now. I gave this art project the title, STAINED.








The 6 sides! - Jennifer A






    First my idea revolved around Andy Warhol's work and Frida's work. I wanted to plan to dress as Frida like wearing the Mexican dresses she has in her artworks and to take pictures of different postures, poses and different angle while dancing. then wanted to edit it as a collage with different colors light to dark. Due to the weather and my condition I wasn't able to go outside to buy the dress nor dance in the open field which is located a nearby park close to my house. I decided to do a pic collage of selfies of myself in different outfit, hairdo and postures but with a serious look. The inspiration I followed was Sophie Calle and Amy Sherald. The reason why I chose these two artist is that with Sophie Calle photographs are very unique and looks solitary. An example below she takes pictures of the face with different angle or a movements but each pictures shows a sadness as said in one of her articles, "These are not souvenir snapshots of a presence, but rather shots of an absence, the absence of the followed, that of the follower, and that of their reciprocal absence" In my pictures I'm dressed differently but with a serious face but there still a missing factor is my smile. For me its give me a sense of sadness that none of my pictures are smiling like being home in this covid situation how we are all trap inside but we can enjoy ourselves. Another inspiration was Amy Sherald where she doesn't distinguish color and uses a full on color background. How I can up with my project with these inspirations is that I tried to show different personalities of myself. First the sporty person I am because I played tennis and soccer when I was younger. Second is me in my casual wear for summer, love wearing tank tops. Third is how I dress as a kid sometimes when my mom brushes my hair in ponytails or braids. Fourth is my special moments when I enjoy my loose hair and dresses. The fifth is when I have to dress professionally or "pretty" to go outside. The fifth is my everyday look at home. The most important factor of all these is that each panel looks differently but they are all me. Who I am as a person. In the specter it states, "So long as the realm of necessity remains a social dream, dreaming will remain a social necessity. The spectacle is the bad dream of modem society in chains, expressing nothing more than its wish for sleep. The spectacle is the guardian of that sleep." The spectacle judge people by their skin color, physical look but this sense of reaching perfection or being what society expect you to be is all a false hope. We should remember who we are and should not convince ourselves we are different people cause of they way we dress or look. The reason I chose Amy Sherald was the because she used the gray scale drawing so it does not represent discrimination and let their fashion styles and who they are express the beauty with in them. It is funny how I had different styles of looks and had to search my wardrobe trying to find the perfect shirt and hairdo for each panel/occasion. I enjoyed doing this project because I played around with the filter of the phones and it was fun to play dress up. 




Inspirations:

Sophie Calle


Amy Sherald







 

'The Reflection of Roles & Self Desire' by Raven D.


                                                   


                                                   


                                          



   For my final project, I decided to make the subject myself; the content is a self-reflection of my current roles in life and personal desires for the future. I chose the medium of photography and collaging because they're my most favorite art mediums to create with. I also used mixed media such as cardstock, magazine cutouts, 3-D stickers, markers, and glitter glue. The concept of collaging made me want to showcase the idea of 'venting' through text and outside influences that represent how I feel about those roles and what I desire. This is in similarity to how society makes an impact through the media and how it's often used as escapism. I’d categorize my piece as a mixed media collage.

   In constructing my project, I brainstormed a self-reflective narrative similar to Carrie Mae Weems’ A Seat At The Kitchen Table series. I was inspired by how she reflected on her self-identity as a woman through various roles (i.e: mother, daughter, wife) and emotions in her kitchen that’s a place of personal significance. Also how she used props to represent those roles (i.e: young girl, mirror, makeup, telephone). My take on the narrative would be the role of a daughter/sister/friend and a student because those are the current roles in my life. In reflecting on these roles, I would collage text or images that represent how I feel I’m perceived in those roles and what they are. In addition to the roles, there’s a reflection of what I want most out of life as of now. I took three different photos in the same spot of my bedroom, the first one is for my role as a daughter/sister/friend and I used my sisters Raquel and Kyla as props to express my responsibility and willingness to tend to my loved ones. The second one is for my role as a student, I have some textbooks pictured and posed looking at my laptop as if I were doing an assignment. Lastly, for my desired goals I have a picture of myself looking at a small notebook as if I’m pondering what to write about. The small notebook is my ‘plot book’ where I jot down any creative ideas or personal goals I have for the future. I decided on placing the photos on a poster board to provide more space to collage and then ordered them from top to bottom (top: roles, bottom: desires). After that, I made the outline of the background for each photo out of decorative cardstock with an Exacto knife. Then I started the collaging processes with magazine cutouts I made in advance and outlined some of the cardstock and some of the cutouts with glitter glue to emphasize certain elements. Lastly, I made colored the pictures and made some designs with markers to border them.

  The artists that inspired my project were Carrie Mae Weems and Mickalene Thomas. Aside from being inspired by Weems’ work, Mickalene’s style always stood out to me since we first learned about her, the way she makes portrait collages out of mixed media and layers it over photographs. Both women  





  I believe that this self-portrait portrays ideas of self-awareness and progression since I’m mostly reflecting on myself at the beginning of the piece and end on a hopeful note with my aspirations for my idealized self.

  There are some differences between my previous self-portraits and this one. For my first portrait, I made a flag and named it “Tending the Empath”. I used drawing as a medium along with mixed media paper and watercolor markers. The flag represented my empathetic nature and the significance of self-care, this theme is present in my role as a daughter/sister/friend and my desires. In creating the flag, I purposefully chose not to have text in the design since the images gave enough context and unlike this project where the text is used to exaggerate the context. My second portrait was the ‘Detangling Microaggressions' video, it was about addressing microaggressions used against black women and overcoming them. I used video and performance as art mediums and text for the microaggressive phrases. The concept behind the video portrait was a personal statement for a sole experience unlike this project that discusses different experiences, The video portrait heavily relied on performance and this one relies more on text and imagery. For the third portrait ‘Beauty Beyond The Eye of The Beholder’, I did a painting of myself with some collating to commentate on society's beauty standards. I mainly used paint as a medium with a little bit of mixed media such as magazine cutouts and stickers and glitter glue. This final portrait is the closest in similarity to the third one but different because I used more mixed media such as cardstock, actual images of myself instead of a drawing, and heavily used text magazine cutouts along with images. For ‘Beauty Beyond The Eye of The Holder’, I only collaged an accessory (my glasses) to purposefully make a statement. Overall, the theme of reflection from some of my previous portraits remained in my final project. 

In longing to experiment more with collage and text for a self-portrait, I was inspired to make the change in using the medium differently for this project. I personally feel like I pushed myself with the organization of the textual mixed media but could’ve taken it further with elements or use the medium of video instead to go for a less overwhelming approach. From the artists we discussed in class, I learned how to conceptualize more with photography and portraits overall in using elements to elevate it and make statements. 
  
   The media and its images play a huge role in how people view their own identity and self preservations. It's seen as a guide with the standards it enforces. For example, in my project, I express the overwhelming feeling of handling my current roles in life, especially during this pandemic. According to Guy Debord in The Society of The Spectacle, he states "The spectacle was born from the world’s loss of unity, and the immense expansion of the modern spectacle reveals the enormity of this loss. The abstractifying of all individual labor and the general abstractness of what is produced are perfectly reflected in the spectacle, whose manner of being concrete is precisely abstraction. In the spectacle, a part of the world represents itself to the world and is superior to it. The spectacle is simply the common language of this separation. Spectators are linked solely by their one-way relationship to the very center that keeps them isolated from each other. The spectacle thus reunites the separated, but it reunites them only in their separateness". (29)
I would use social media to vent how feel or to distract myself from those feelings. I had goals set for this year that were setback due to COVID and quarantine, initially, I felt really down because there’s the societal expectation that people my age are supposed to have reached certain milestones or achievements. In Bored's The Society of The Spectacle, it's also stated that “When the real world is transformed into mere images, mere images become real beings — figments that provide the direct motivations for a hypnotic behavior.” (18).  Despite how I would use social media as an escape, sometimes I would have to go on a detox from it because too much consumption would overwhelm and feed my negative feelings. I felt like I was behind and not doing enough. Then I had to personally remind myself of how this was a setback for everyone and in general, everyone moves at their own pace. 








The New Us




    I was inspired by Sophia Calle because although her work is seen as unique and weird. She takes pictures from her perspective on how she views the world. Around the time she had taken photographs images of strangers that she would follow, simply because they interest her. However, in my photographs that I have taken, I related it to the time that we are going through now. This pandemic and the several months that we were in quarantine, isolated from everyone else. My decision on taking black and white photographs of myself wearing a mask outside alone at night expresses how I felt and still feel through the hard times that we are living through now. Around the time of the quarantine, I was at a low point. I was constantly worried and scared of the unexpected. I decided that I would express my emotions and a way to express them may be depicted through the images I have taken. I based my decision on taking these images for my final project because I found that I could portray my emotions and feelings. In these images, I feel like you can see the emotions that I felt throughout the time. The artist that inspired me for this project, is Sophie Calle. She simply takes images for her own reasons, simply for the pleasure of following them, not because they interested her. She would use her photographs and creating stories of these individuals that she would capture on the image. In some images, she would have a blur effect that presented a new form of art. These images depict my raw and utmost emotions that I have currently been feeling. These past couple of months, I have felt so alone and confused. This new world has definitely taken a toll on most of us. These images were taken at night for a reason, there are times where you are alone, and your mind just wanders. At night, is when I believe you do your best thinking. Especially during this time, you can't help but just think. Regardless of the thoughts are good or not. In my first self-portrait project, I touched on different various different issues that are important to me. On my flag self-portrait project, I focused on the various issues with immigration and child separation policies that I do not agree with. In my performance self-portrait project, I touched on my struggles with anxiety and depression and how I have struggled with this, especially now. Even in my self-portrait project, I had created a collage of images of me and how I thought the world viewed me. It focused on the insecurities that I have and the changes throughout life, that we have no control over.







Marina's final self portrait project - Family

 

Family

Naomi and Her Daughters by  Kehinde Wiley

Portrait of Frida's Family by Frida Kahlo

I was inspired by Frida Kahlo’s family portrait and the way she loved her family and live so she painted the portrait to save the memories of family so she even painted a fetus of a baby that might be her lost baby that she couldn’t deliver. 

The idea of my project is to make a family portrait addresses the title “family” as family is very important to me and always comes first. Due to the pandemic, I had to do my project digitally so I collected a recent small circle picture of each family member such as me and my other two sisters but when it came to my parents, I got a picture of them together as they representing one person for me not two. Then at the bottom of each side of the portrait I put a big rectangle picture of all of us together from 2005 on the left and 2020 on the right showing how we still together and we always will do. My background is green and I was inspired by Kehinde Wiley as he used flowers in the background to shows the relation between plants and human as plants are very important and we all love it. So, I chose the green color because green color means nature and family is our nature.

According to Finkelstein, “The self is a storage and retrieval system, a repository of the roles we have in the world as, say, the perfect mother, ardent lover, reliable bureaucrat, brilliant doctor and so on.” As it shows the roles I have in the world as my family represents the world and I have a role in this family.

Moreover, according to Susan Sontag, “to collect photographs is to collect the world. Movies and television programs light up walls, flicker, and go out; but with still photographs the image is also an object, lightweight, cheap to produce, easy to carry about, accumulate, store.” This is the reason why I brought a picture from 2005 where we were in Egypt, showing the style of the photo and fashion style at that time, comparing it to 2020 photo in America and it was taken as a selfie with totally different style of fashion.

In addition, I chose to make my project about family because I see them representing myself identity because they are who made me what I am today. According to Guy-Ernest Debord, “The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be reestablished." As my family is my stream where every aspect of my life detaches. As these moments will never be reunited but I always have them in my mind.

To conclude with, the relationship between my photos and my identity is the spectacle that few people can see it. My project tells a story about my family and shows my love to them and myself identity that is exists in the spectacle as long as I am still alive. It can be also a memory for someone else such as my children who will be added in this portrait later on. Our past became a memory and our present will become a memory too. 


References

https://www.theguardian.com/artanddesign/2020/jan/25/kehinde-wiley-william-morris-exhibition-interview

https://www.fridakahlo.org/portrait-of-frida-family.jsp

http://www.susansontag.com/SusanSontag/books/onPhotographyExerpt.shtml

http://library.nothingness.org/articles/SI/en/display/16

Finkelstein, Joanne. The Art of Self Invention: Image and Identity in Popular Visual Culture. Tauris, 2007.

Undoing Reality



    Wangechi Mutu is an international visual contemporary artist born in Kenya and is known for her paintings, sculptures, films, and performances. Wangechi Mutu’s art focuses on themes of gender, race, and colonialism. She depicts black women as beautiful, powerful, and strong figures in her pieces as a way to empower them because historically, black women were rarely seen in art museums. As Wangechi Mutu used the human body to explore identity, I asked myself, how will my art/collage express who I am or who I want to be. For my final self-portrait project, I decided to go for a combination of painting and collage just like Wangechi Mutu. I started off my project with a yellow and orange sunset on an 11in x 14in canvas with acrylic paint and when it completely dried, I pasted on a silhouette of myself I took. Afterward, I cut up some pictures from magazines I had laying around in my house. As shown above, you can see I pasted on someone else's eyes, hair, and body on my silhouette. Wangechi Mutu had said before “My work becomes interpretations of myself or other female-like beings, kind of conquering reality in these very imaginary characters and manifestations" and that was the same idea that I went with for my self-portrait. I decided to let myself choose whatever pieces I wanted without reason, just whatever felt right in the moment. My portrait is a manifestation of my thoughts and feelings and I don't think it's necessary to explain each and every pasted cut-out, that's up to the audience to interpret. The reason for the title "Undoing Reality" is that the self-portrait above is not the version of myself that you would see if you ever saw me walking down the street, but a version I have of myself within my mind and thoughts that I was able to conceptualize on a canvas. 

    In the fourth chapter of The Society of the Spectacle, they've said, "The spectacle is not a collection of images; it is a social relation between people that is mediated by images" which is crucial to remember because the spectacle wouldn’t be a big deal if it was just a bunch of images sitting in the corner with no meaning. What’s significant about the spectacle is how it modifies and distorts social relations; We see each other and present ourselves differently in society, and that ends up distorting our self-image and the image we have of others. So with this project, I decided to step back and "undo" this image of myself within reality and re-present myself in a different light, in a non-realistic manner that will make the audience double take.



In Killing Fields Sweet Butterfly Ascend, 2003 Ink, collage, contact paper on mylar 40 9/10 × 31 1/10 in 104 × 79 cm




I as Frida - Katia

 








The artist I chose was Frida Kahlo because of her courage to do what she loves best. I chose her for her determination to be unique. She defied gender stereotypes. Frida smoked, boxed, won tequila challenges against men, and dressed like a man in a family portrait, contrasting to her mother and sisters who wore dresses. She refused to alter her “masculine” features, including her mono-brow and a faint mustache, and she exaggerated these features in her self portraits. She painted real women and real experiences.  Frida has become an icon of the people because of her unique personality and the way she carried herself with so much fearlessness.  

“I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me, too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.” - Frida Kahlo 

I’m not an artist, that’s why I’m a Criminal Justice major, so the reason I created sort of a self-portrait inspired by Frida Kahlo was to create something that I'm not used to. I used inspiration from Kehinde Wiley’s flower background to incorporate a colorful backdrop.mIn my painting I placed both the Dominican Republic flag and American flag to show where I come from like Frida used her culture in many of her paintings to show her audience whom she was. The materials I mainly used were paint and Ribbons to create my natural curls in a 3D way. It was a new fun material that I used, that I did not use in my past portraits. My portrait is not as perfect and artistic as I would've loved but my art could show the audience to always see herself where you want to be. Fridas Vogue's look inspired me to one day embrace my natural self for the world to see and be unapologetic about it. Social media enables identity expression, exploration, and experimentation; something natural for the human experience. It is the agencies in real life, which provide a source of names for different sectors, that inspire the internet communities and the interactions they make within themselves. 

This pandemic has changed the way we all think. It has changed our ways of living.  Throughout this pandemic, I have re-evaluated the way I think about my future, where I am, and where I want to be. It has taught me to live life at the moment and enjoy the memories later because life can change in a matter of seconds. 

The Society of the Spectacle 

“The images detached from every aspect of life merge into a common stream in which the unity of that life can no longer be recovered. Fragmented views of reality regroup themselves into a new unity as a separate pseudo-world that can only be looked at. The specialization of images of the world has culminated in a world of autonomized images where even the deceivers are deceived. The spectacle is a concrete inversion of life, an autonomous movement of the nonliving”.


The Misrepresentation of the Media


 The subject of my final project is a misrepresentation of minorities in the media and in advertisements. For my project original project, I planned on actually acting out these commercials that I have created but due to my ring light breaking and my camera person flaking, I had to resort to something that would be just as interesting and powerful. In the first part of this process, I had to think about what topic interested me the most in class and which one could I make come to life. With me being very indecisive, the process took longer than I thought. I had to think about what message really resonated with me and what would be the theme. After choosing the topic that I wanted to do my project on, then it was time to come up with the way I wanted to display this topic. I knew that drawing and painting were not my strong suit so I decided to take the visual performance/video route because I am a very visual thinker and I see everything with movement. The artist that inspired my project was Kehinde Wiley, Amy Sherald, and Yoko Uno however the concept of this project was inspired by Guy Debord's The Spectacle Theory.

My project conveys the idea that media and advertisement do have an effect on each and every one of us that is positive for some but negative for many of us. As children, we aspire to be like the people we see on the big screen because they project the idea of what a perfect person should be and when we notice that the perfect person does not look like us, it takes a toll on society. We start to create hierarchies and the people who do not match the ones seen in the media are usually put at the bottom. The media has been destroying the dreams of many people for as long as it's been around and yet many still do not see its downfalls. It has caused people to be insecure, depressed, and unsure about their future. Children should be able to see themselves in a positive light. People who contribute to the media do not think about society, they just think about money which is why they say money is the root of all evil. The difference between my first self-portrait and this project is that, it contains more thought and more effort. I really tried to create something that was simple, meaningful, and interesting to watch. I think my work has improved because there were a variety of inspirations that I could choose from and I was able to focus on something that interested me a lot more. I definitely learned a lot more about these artists by watching short documentaries and looking at interviews that they have done just to get a sense of the mindset and their creative processes.

The media has so much power over us if we allow it. It starts with children because they are sponges of the things that they see. They see repeated images throughout their lifetime that becomes normal and without even thinking. Personally, media has been a huge part of my life, especially because I grew up during a time where technology has become more advance than ever and media is now at our fingertips. Social media was definitely my main source and has become addicting to the new generation. Although times have changed and norms that were put in place many years ago are shifting, there is still a lot to be done so that we can all be equal. It starts with inclusiveness, and as a society, we have to make sure that everyone is able to see themselves in a positive light. "The spectacle is able to subject human beings to itself because the economy has already totally subjugated them" (Debord 16). This quote is so powerful because it is true, we see the things on media and we align our lifestyles according to spectacle and it's almost a natural instinct." The spectacle cannot be understood as a mere visual excess produced by mass-media technologies. It is a worldview that has actually been materialized, a view of a world that has become objective." (Debord 5) Media and advertisements have made us materialistic because we strive to be the image that we constantly see. In this generation, trends spread like wildfire and everyone aspires to be "cool" and whatever we see getting the most attention is what we tend to gravitate to. "The spectacle was born from the world’s loss of unity, and the immense expansion of the modern spectacle reveals the enormity of this loss." (Debord 29). It has definitely caused the divide in society to expand and cause people to think that someone is better than another by the way they look or by what they have. In conclusion, I really enjoyed creating the project and I love how it made me think about how I may have been affected by the media.

Debord, Guy. Society of the Spectacle. Black & Red, 2016.

The Factory by Genessy Simo

 

           The Name of my project is The Factory. The Factory is a room where famous/known people hang out. I got my inspiration from Andy Warhol who was an American artist, film director, and producer born on August 6 1928 who was a leading figure in the visual art movement known as pop art, as well as Betye Irene Saar who's an African-American artist born on July 20 1926 known for her work in the medium of assemblage. Andy Warhol pioneered a more commercial production approach by creating the Factory. He had no interest in creating pieces just for the wealthy, and instead targeted the masses by placing pop culture figures at the heart of his work, especially products and celebrities. This subject matter appealed to wider society. In theory, just as anyone could own any factory-made item, anybody could own a Warhol.The Factory’s name is even more fitting given the silk-screening process by which Warhol actually produced his work. Rather than painting every piece by hand, he would simply transfer his stenciled designs, allowing him to reproduce a work multiple times and churn out prints at great speed. The Factory had three different New York City locations between 1963 and 1984. One was on the fifth floor at 231 East 47th Street in Midtown Manhattan (1963-1967) One was on the sixth floor of the Decker Building at 33 Union Square West (1968-1973) and the other was on 860 Broadway at the north end of Union Square (1974-1984)

 I chose this medium because of all of the pieces we have learned about throughout the semester this one stood out the most because it wasn't a simple painting. This was a physical place that was viewed as art because art was created within. I would categorize my work as collage/ graphic print because of the numerous materials used. The process of creating my project began with retrieving a shoe box to simulate The Factory itself. Next I created the interior as well as the name of the room. The final touch was incorporating the celebrities from different years. I attempted to include some of the individuals that Andy Warhol painted at one point in his life, for example Elvis Presley, Marilyn Monroe, former President John F. Kennedy, Mao Tse-Tung, Jimmy Carter, and Michael Jackson as well as current time Beyonce and Adele. He is also inside of the room aside Betye Saar whom I was compelled to insert considering her astounding technique of assemblage, and because it is a self portrait project, myself as well. What I believe that this self portrait conveys to the audience is that this was an art piece that can be re-created in a number of ways and still be self explanatory. 

The difference between my first three portraits and this final portrait is that before I was attempting to re-create images of artists exactly how they were, I consumed a lot of time attempting to get the wardrobe, makeup and pose correctly that It took away meaning and purpose from it. The Factory on the other hand is different because I did not copy exactly what Andy Warhol had in his rooms. In the end I have learned a lot from these artists, most importantly that even if you're re-creating something, you can put your own taste into it. 

Related Quotes:

Original paintings are silent and still in a sense that information never is.”

(Berger, 1972) “Images were first made to conjure up the appearance of something that was absent. (Berger, 1972)

Every advertisement is a mystery. (Finkelstein, 2007)



Inside The Factory: The Studio Where Andy Warhol Worked - ArtLife


Tuesday, December 8, 2020

Reading the Self

Reading the Self

Past, Present, Future: Reversed

Past, Present, Future: Upright

    For this final portrait, I decided to turn to Tarot in order to focus on the representation of self. Tarot readings are intended to provide insight and to enable people to reflect on themselves and their relationships to others. I used Tarot in this project to mimic a three card spread of past, present, future in order to represent my perspective of myself throughout my life thus far, and what I believe may be in store in the future, as well as the possible perspective of the viewer reading the spread and their interpretation of me. Just as Finkelstein states that "the idea of personal identity becomes synonymous with the art of thinking about oneself in the social world," I used Tarot to explain myself and how I perceive my own identity in the past, present, and future, particularly in the way I tend to interact with others and how outside events shape my identity (136). I created these cards by using a digital drawing program, as I previously have never used such a program before to create something. I based the cards on photos I have, with The Fool being a childhood photo of mine, The Moon being a photo of the moon I took, and Death being a photo of historical remains in a park in the Dominican Republic. As Debord states, "The spectacle is not a collection of images, but a social relation among people, mediated by images," so I used these representations of the cards, these images, to describe myself as I perceive my relationships to myself and other people (4). I outlined these photos in order to create a more minimalistic style, one inspired by a tattoo style I adore and that one of my favorite tattoo artists, Teddy Xiong, favors in her works. I took a photo of myself seated before the cards, partially invoking the work of Carrie Mae Weems's Kitchen Table Series, particularly that of the woman playing solitaire. That photo in particular portrayed her as enjoying her time in solitude, enjoying the pleasures in life with a quiet moment for herself. I wanted to do the same, and add a moment of reflection for myself as I analyze my life thus far. Additionally, I wanted to invoke some aspect of the Kitchen Table Series in this project as it told the story of a woman through time, much like I wanted to do with the Tarot cards, as "Weems’s black-and-white photographs are like mirrors, each reflecting a collective experience: how selfhood shifts through passage of time; the sudden distance between people, both passable and impassable; the roles that women accumulate and oscillate between; how life emanates from the small space we occupy in the world" (Palumbo). This project differs from the previous few self-portrait projects in both medium and execution, as previous projects were primarily on paper and served to directly mimic the works I took inspiration from, this one was primarily digital and I attempted to make it more of my own in design. Instead of replicating typical Tarot designs I decided to consult the captured moments from my own life, to make it connect to myself more. One common theme in all three works is the use of hibiscuses, since they are my favorite flower and have become a sort of staple in my works over the semester. 
    I consulted Labyrinthos for the meaning of the cards I recreated in this project. In the photo, all the cards appear reversed to me, demonstrating how I tend to view myself throughout my life in a more self critical way. The negative aspects of these cards are on display to me, showing how I view myself from a more pessimistic standpoint. To the viewer, the cards are upright, demonstrating a more realistic interpretation of the person I am, from an unbiased point of view. 

The Fool: beginnings, freedom, innocence, originality, adventure, idealism, spontaneity (upright); reckless, careless, distracted, naive, foolish, gullible, stale, dull (reversed) 
The Moon: illusion, intuition, uncertainty, confusion, complexity, secrets, unconscious (upright); fear, deception, anxiety, misunderstanding, misinterpretation, clarity, understanding (reversed)
Death: transformation, endings, change, transition, letting go, release (upright); fear of change, repeating negative patterns, resisting change, stagnancy, decay (reversed)


Works Cited

Debord, Guy. “The Society of the Spectacle.” The Situationist International Text Library, library.nothingness.org/articles/SI/en/display/16.

Finkelstein, Joanne. The Art of Self Invention: Image and Identity in Popular Visual Culture. I.B. Tauris, 2007.

Palumbo, Jacqui. Why Carrie Mae Weems's "Kitchen Table Series" Is a Landmark of Contemporary Art. 19 Aug. 2020, www.artsy.net/article/artsy-editorial-revisiting-carrie-mae-weemss-landmark-kitchen-table-series.